Danny Bowes

Filmmaker, critic.


(EDIT: 2/29--These picks were wrong and bad.)

The Oscar ballots are in, and all that remains is putting the dresses and tuxes on, popping some SSRIs, and tuning in for the show! (Yeah, I guess the people actually attending will have fancy clothes and drugs, too, but I'm talking about us.) (Oh, and this is also assuming that the racist fustiness of the nomination process and the industry in general hasn't thoroughly alienated you.) (Or that you don't have other plans Sunday.) (Okay fuck it I'm just moving on.)


It's kind of the same shit as always: almost none of the best movies of the year were even nominated, and the ones that were have slim to no chance of winning, but unlike a lot of past years, the frontrunners are relatively inoffensive. Though, it should be noted, I deliberately avoided seeing The Revenant to preserve this state. AGI's on a successful run. I say let him cook, but under the condition that I get to sit out his movies. If he gets back together with Guillermo Arriaga, then we can talk. But despite not wanting to see his movies, I'm okay with AGI winning Oscars. Who gives a shit, really? He gets to be happy, the fact that Carol was the best movie this year doesn't change, everyone wins. Sort of.


I'm personally curious to see what effect not giving a single fuck at all has on the accuracy of my predictions. To which end:



Best Visual Effects


A surprisingly loaded category this year, and given personal preference I'd have liked to see Ex Machina take this, for pretty much flawless work on a comparatively tiny ($15 million, which is a lot of money, but watching Ex Machina and then finding out what it cost inevitably yields “They made that for $15 million? Damn.”) budget. But there's nothing wrong with Star Wars: The Force Awakens winning. It's Star Wars. The little soccer ball robot was adorable. I would propose that “cute > sexy” in this case isn't puritanism, either, it's that it's harder to make a robot cute than it is to make a robot sexy.



Best Sound Editing, Best Sound Mixing


The differences between these two categories are real, and sometimes they go to different movies but not because of the actual differences between the two. Those jerkoff “Brutally Honest Oscar Voter” things in the Hollywood Reporter are always full of random tanning salon sausages openly bragging about not knowing anything about sound. There are bigger things in the world to get mad about, but pride in ignorance is always irritating. The good news is, a great movie is going to take both of these by accident: Mad Max: Fury Road.



Best Production Design


Another Mad Max: Fury Road win. Man, that movie was great. Wasn't that movie great?



Best Original Song


This will almost certainly be “Til It Happens To You” from The Hunting Ground, Kirby Dick's documentary about campus sexual assault, which is an important subject that things need to be done about. I still, purely artistically, wish the Wiz Khalifa Paul Walker eulogy song from Furious 7 was nominated and the overwhelming favorite.



Best Original Screenplay


Speaking of important subjects, Spotlight has that all covered. It's a very well written and acted movie that venerates not so much journalism as the pursuit of truth and justice, which should be the American way. My quibbles with Spotlight are strictly arcane cinematographic and mise en scene issues that don't mean shit to non-movie people, so I'm actually rooting for this to win as well as thinking it will. Here's to giving the Catholic Church another kick in the shins for their monstrous behavior over the years.



Best Original Score


This one I'm not so sure about. It's possible Star Wars will win, but I think Ennio Morricone's taking this for The Hateful Eight. The Oscars get to have one of their “we're all about history” moments, Morricone gets a big-ass standing ovation. He's Ennio Morricone. Give it up.



Best Makeup


Mad Max: Fury Road. Ride eternal, shiny and chrome.



Best Live Action Short


Ave Maria.



Best Foreign Language Film


It's going to be Son of Saul but I really wish it was Mustang. It's grown on me quite a bit since first viewing, and the last twenty minutes or so are incredible.



Best Film Editing


This might be the biggest layup of all the evening's wins for Mad Max: Fury Road.



Best Documentary Short


Who the fuck knows, really, but I say Body Team 12.



Best Documentary Feature


“Should” be The Look of Silence, probably will be Amy.


Best Costume Design


This is a little bittersweet, because this the one Oscar Carol, the year's best movie, has any chance of winning. On the other hand, the good news is that it's another Mad Max: Fury Road win. Unless Cinderella takes it.



Best Cinematography


Law of threes: since this'll be Emannuel Lubezki's third win in a row (for The Revenant, following Gravity and Birdman), he has to change his nickname from Chivo to “Triunfador de Oscar” which has the added benefit of also being a pun in English.



Best Animated Short


The truly wise will stay off Twitter for the whole ceremony but even those brave/foolish souls still on will want to log off when World of Tomorrow loses to Sanjay's Super Team. There will be blood.


 Best Animated Feature


Inside Out.



Best Adapted Screenplay


This'll be The Big Short. If it couldn't be Carol here, it might as well be this, since aesthetic/critical quibbles aside it is about important shit. It's pitched pretty well at people who care about but aren't up on all the details of the shenanigans that caused the not yet fully resolved '08 crisis.



Best Supporting Actress


Despite her being a co-lead, this is most likely going to be Alicia Vikander for The Danish Girl. She edges out lead Rooney Mara, supporting player Kate Winslet, ensemble player Rachel McAdams, and Jennifer Jason Leigh, who in a Vaclav Havel kind of way is the lead in The Hateful Eight. Whatever, we're all crystallized stardust careening through space.



Best Supporting Actor


Not sugar-coating this at all: if you attempt some dude-behind-Woody-in-Annie Hall posed superiority about Sylvester Stallone winning an Oscar for acting, fuck you where you breathe. You do not have the wherewithal to evaluate acting as an art or as a craft. Talking about how lame it is that Sly got a nom but Michael B. Jordan and Ryan Coogler got screwed is a whole other matter. Creed is a great movie, and it's a perfect Hollywood movie, because of all three of them.



Best Actress


There are, for the most part, two kinds of acting Oscar wins. One is the kind Brie Larson has been a shoo-in for for months: the “You Are Here” win where the Academy anoints what they perceive to be an up-and-coming star. In her case, it fits: she's a good actor, people like her, she's a “type” Hollywood finds space for (not that they have a problem with institutional racism or anything), and she's got good publicists. The last two points aren't meant to denigrate her work as an actor—she's very, very good—but reality is reality.



Best Actor

Here's the other kind of acting Oscar win, the “It's Your Turn” win. It's easy to go sarcastic and do the “Oh, how Leonardo DiCaprio has suffered” aria bemoaning how difficult it is to fuck your way through multiple generations of supermodels while making millions of dollars, but here's why I'm not going to do that:



1) He gets laid a lot because people want to fuck him.

2) He makes shitloads of money because it's worth shitloads of money to people to have him in movies.

3) He should have won his first Oscar in '97.


3a) He should have won his second Oscar in '02

3b) He should have won his third Oscar in '04

    3c) He should have won his fourth Oscar in '13.




      (In order: Titanic, Catch Me If You Can, The Aviator, and The Wolf of Wall Street.)


      We can parse “should” until the cows come home, or we can just be like, look, he's a rock-solid actor and has been one of the biggest stars in Hollywood for twenty years. Sure the category's trash this year. Sure the whole bison liver and hyopthermia shit got old six months ago. Leonardo DiCaprio should have an Oscar. If for nothing else, he's over forty, maybe it'll help him get laid.



      Best Director


      In only the third BD repeat in Oscar history (joining John Ford and Joseph L. Mankiewicz), Alejandro González Iñárritu. I haven't see The Revenant yet, and like I said before that's deliberate. Just predicting, not talking about what I want to see win, otherwise I'd be spilling whiskey all over the place sobbing about Todd Haynes not getting nominated. It's fine. I'm fine. Everything will be fine.



      Best Picture


      It's The Revenant, almost surely. People I know liked and compared it to everything from Tarkovsky to Malick to The Edge and there was more than one mention of Bart the Bear, which as a dutiful cinephile I cannot begrudge. I also don't have any particular interest at all in seeing it. IF this means I miss a great movie, so be it, no one sees every movie. There are about eight or nine Best Pictures I've never seen and that number's probably going to stay that way, or increase by the occasional one like this year.



      Final tally:

      Mad Max: Fury Road: 6

      The Revenant: 4

      Everything else tied at 1



      Rather than leave on that sigh, revisit the best movies of 2015 here. And enjoy your Sunday, whether it's watching the Oscars or any other fun you have planned.

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